Stephan deGhelder
Asheville, NC

Plays

by Stephan deGhelder

For over four hundred years, Shakespeare experts, literary sleuths, and the reading public have been obsessed with uncovering the identity of the “fair youth” of Shakespeare’s sonnets: The beautiful young man to whom the Bard dedicated the romantic, and sometimes passionate, expressions of love.

When an English professor shares the story of a theory that may or may not reveal the secret, and how the evasive proof of that theory leads to a death, his former student becomes obsessed in the search as well, never aware that the relationship between Shakespeare and the beautiful young man echoes his own history with his handsome professor.

Cast:
- TOM.(M) Narrator of the story. Handsome ex-student of Victor’s. 25-30. - VICTOR.(M) Attractive Professor in a British University. 35-45. - MISTRESS OF THE INN.( F) Keeper of a publick house in 16th Century London where Shakespeare lodges. Indeterminate age. Doubles as Lady Henshaw. - WILLIAM SHAKESPEARE. (M) Struggling writer and actor. Sensitive, ambitious, witty. Eager to make his way in the world. Mid 20’s. - HENRY WILLOUGHBY.(M) Elizabethan Actor. Doubles as George Henshaw and Valet. - CHRISTOPHER MARLOWE. (M) Charming and attractive in a sinister way. Elizabethan firebrand. Dark, unstable and seductively sadistic. Mid 20’s. - JACKE WILSON. (M) Also known as Willie Hewes. Teenage boy with an androgynous beauty. 15-20, or appears so. Time and place. 20th Century England and 16th Century London.
by Stephan DeGhelder (book and lyrics) Brad Simmons (music)

Nick Mathews is rehearsing his latest Off-OFF-Broadway musical, ALEXANDER WAS GREAT!, in which the legendary Greek warrior is depicted as a man-hungry, campy, gay party animal. When informed of this atrocity in the afterlife, the real Alexander is sent to earth as a mortal to protect his golden legacy by administering the “kiss of death.” The great Macedonian crashes a rehearsal in progress, out-performs the fame-hungry actor playing him, and is immediately cast in the show playing himself! 

Complications result as the displaced actor seeks revenge, as Alexander must deliver a kiss, and the normally aloof director can’t understand his inexplicable attraction to the mysterious stranger. Boy meets demi-god, boy loses demi-god, boy gets demi-god, and all ends well romantically with a surprising and sweet final scene. https://akissfromalexander.com The score is written by composer/musical director Brad Simmons. The play has had revisions since its original presentation while retaining all its joy, warmth, style, and, most importantly, its gay-positive focus.

Cast:
(4 principals, 4 chorus) *** - NICK MATTHEWS. Charming, talented Off-Off-Broadway auteur hoping to restart his career with his latest show, “Alexander Was Great!”, inspired by a sudden interest in the legendary Macedonian. His reputation for solitude and privacy has made him the subject of much backstage banter, but only Nick knows that he is uncontrollably drawn to a mysterious someone, but where and who is he? - - ALEXANDER. Alexander the Great. He conquered the world with his cunning, beauty and strength. But nothing is stronger than his ego. Still powerful after all these years, he will do anything to maintain the glorious legacy he fought so hard to create. Undefeated in battle, he was defeated in life only once… by Hephaestion’s thighs. He can turn people’s heads… or whack them off. - - BRAD BERENSON. Over-the-top, third-rate, musical performer who has been cast as Alexander the Great in Nick’s latest production. A legend in his own mind. Obviously, Berenson is his made-up last name, part of his endeavor to create himself in his own fantasy image. Hopelessly attracted to Nick, he will fight, scratch and crawl (on his knees, no doubt) to achieve some reputation in show biz at some level, and landing the lead in Nick’s new show is the chance he’s been waiting for. - - AUGIE DE BEERS. Stage Manager for Nick’s show. A nebbish, enamored of Brad, he is competent to a fault and very protective of his dear friend Nick. Appearing cold and colorless, there might be a hot surprise hiding inside. Doubles as The Guardian. - - GUARDIAN. Very ancient Protector of Alexander’s Tomb and legacy. Hunched over and swaddled in hooded garments, he has the sound of the oldest graduate of the Royal Shakespeare Company. - - DAVID, CARY, FRANK, TONY. Four male singers/dancers, totally diverse. The chorus in Nick’s show. These guys are tart-tongued, witty and fun. They are NOT stereotypical chorus queens.
by Stephan deGhelder (Author) Brad Simmons (Music)

Julian Potter, the irascible, Scrooge-like producer of a small city's community theatre, decides not to do A CHRISTMAS CAROL this year, much to the horror of the theatre regulars. He books a touring musical in its place, but when less-than-ideal conditions prevent the tour from performing on opening night, the regulars, in order to save the theatre, propose to ad-lib their way through a performance of DICKEN'S A CHRISTMAS CAROL. They use any costumes, sets and props they can find. The performance is chaotic, hysterical, and bumpy In so many ways. Ultimately, though, the show's successful in the true nature of the Dickens classic.

Cast:
Minimum cast of twelve. 6M and 6F JULIAN POTTER. Irascible, demanding producer/artistic director of a small, non- professional, Midwestern theatre. ANGELA. Struggling mother of Frankie. RILEY. Potter’s right-hand gal. Competent multi-tasker. FRANKIE. Physically-challenged nine-year-old son of Angela. ENSEMBLE. Eight (or more as desired) company members, four men and four women, all of whom perform a large variety of roles.
by Stephan deGhelder

The conventional image of gender roles in the American Civil War is incomplete. Men were not the only ones to march off to war. Women bore arms and charged into battle as well. Women lived in germ-ridden camps, languished in appalling prisons, suffered the pain of wounds, and died horribly but honorably fighting for their country and their cause just as men and boys did. In doing so, these defiant and courageous women also fought to escape miserable lives as third-class citizens, often trapped in conditions with no more hope for improvement than the slaves of the South. But they did not fight in petticoats!

WHEN JENNY COMES MARCHING HOME AGAIN is about the women who disguised themselves as men and enlisted in the armies of the Union and the Confederacy. For a heightened historical tone, it utilizes as its musical score public domain songs from the period by mid-19th Century composers and lyricist

Cast:
- TEN actors (6M, 4F) - Five white men, one African American male. - Three white females, one African American female. All singer/actors. * * * - PRIVATE KIMBALL/JENNY BRIGGS/JESSIE BRIGGS. (Early 20’s) White female. Bright girl, suppressed because of her station in life. Eager to be more than her gender allows in mid 19th century America. Driven and brave. - JOE WATTERS. (Mid 20’s) White male. Comes from an upper middle-class family. Left school to be in the Union Army. Smart, secure, appealing. - CATO. (Mid 30’s to 40’s) African American freeman. Wise. - FEBE. (Mid 20’s to 30’s) African American freewoman. Grateful. *** Many various roles including union and southern soldiers, citizens, doctor, captain, balladeer, mill owner, ex slaves. All sing. Also includes many soloists in vignettes in front of a Minstrel style oleo. All played by the five men and three women other than JOE and JESSIE. In a situation where more actors were desired, or could be budgeted, the cast could be enlarged. *** The suggested BAND would be guitarist (who appears and sings in several scenes); banjoist; fiddler; pianist, and drummer (not a drum set, rather some period drums such as military.)
by Stephan deGhelder

Life in Manhattan is challenging for KC Hartmann, a bright young gay man who doubts his attractiveness. KC attends to life’s routine demands while waiting to meet “Mr. Right”, the man of his dreams. Through his job at a New York dating service, KC helps his friends and total strangers find their love matches, but KC’s Perfect Lover only appears in his dreams and romantic fantasies, which are startlingly similar to those scenes in famous novels and movies! But even beautiful fantasies are no escape when his real world begins to fall apart. In spite of multiple efforts by his closest friends to find KC a mate, a series of misfortunes threaten to make his life unbearable until he receives a mysterious letter, a letter containing a single theatre ticket and a cryptic message: 

“Meet me tonight. With luck you just might Meet Mr. Right In the seat on your right.”

Hoping this is more than another doomed matchmaker attempt, KC attends the performance and waits to meet the mysterious man who will fill the seat on his right, and maybe the hole in his heart.

Cast:
CAST OF CHARACTERS (6 Males, 2 Females) KC HARTMANN. (Mid-to-late 20’s) A bright young man with no flair or priorities toward fashion or presentation. More attractive than he thinks. Looks better out of his clothes than in them. He’s not a nerd. He simply believes that exteriors and surface appearances are shallow window dressings. DREAM LOVER. (20’s) KC’s Dream Man. His imaginary “Mister Right”. NOTE: This actor plays the love interests in ALL of KC’s fantasies. Should have a great body and face. (Possible rear nudity in low light.) DOUG. (Mid-30’s to 40’s) The “Other Man.” NOTE: This actor plays all the “spoiler roles” in KC’s fantasies. Good-looking, pulled together guy with calm self-assurance. Charming. A dazzling smile. Plays Lord Capulet, BBC Announcer, French Captain, Beast Killer, Lawyer. DARRELL. KC’s best friend. A metrosexual. Also does V/O in Act 2. ACTOR ONE. Good looking man who plays Walter Russo, Dating Host, Jake and Hospital Asst. ACTOR TWO. Good looking man who plays Sam the Pianist, Guy, and Hospital Asst. CASSANDRA. Bohemian, edgy girl. KC’s friend and roommate. Does offstage voice in I, 1. ACTRESS ONE. This actress plays all the other women in his world: Emily Shapiro, Legal Aide, Rachel Newkirk
by Stephan DeGhelder (sketches and lyrics). Brad SimmonsI (music for "Souvenirs")

GEEZERS is a musical revue on the topic of senior living in America.With songs and comedy sketches, it touches on dating, exercise, health, medicine, retirement homes, family, relatives, etc. in comedy and humor.The script offered here is just an example of a finished product since there are numerous sketches and song that can be interpolated or rearranged to fit the talent available. Though the subject is senior life, the cast contains some "juniors" for contrast and the show can be enjoyed by junior and seniors alike.

Cast:
The cast number is flexible. Basically, I see it as a cast of six: 3M, 3F, with a breakdown of 2 senior females, 2 senior males, and 1 younger male and 1 younger female. The cast can be expanded if desired. The cast should consist of good singers; musical comedy performers who can do sketch comedy.